![]() ![]() So in the Blackmagic user manual for the BMPCC 4K, here’s what they have to say about exposure for skin tones. You can also use button 1 (defaults to false color) on the top of the BMPCC 4K. ![]() The excerpt from the BMPCC 4K User Manual below shows you how to turn false color on and off from the rear screen of the camera. In this case, we are using a set of color ranges that represent the best exposure values for skin tones. By using false color you can see quickly what is over or underexposed. Different cameras or monitors use different colors to represent exposure values. It use different colors to represent a range of values. What’s false color?įalse color is a way to represent different exposure values on the screen. Note that if you don’t use the Atomos Shinobi, then you can use the BMPCC 4K false color mode and information below for exposing skin tones. ![]() Since I also use the Atomos Shinobi for framing, focus and exposure, I needed to map the Blackmagic false color recommendations to the Shinobi false color scheme. When working with the Blackmagic Pocket Cinema Camera 4K (BMPCC 4K) and Blackmagic RAW (BRAW), what I’m finding is that using Blackmagic’s false color mode along with their recommended exposure values for skin tones, along with some minor tweaks, works very well. When I’m capturing video of people, a primary concern is getting the skin tones exposed correctly. ![]()
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